Published online for The Block Magazine.
Interviewer Amanda Ash
Despite his 6 years working with EdBanger records, producing tracks, creating remixes for the likes of Kelis, Klaxons, and Uffie and working alongside French electro alums like Mr. Oizo and Sebastian Tellier, 30-year-old SebastiAn has been a bit of an enigma, granting few interviews or media appearances. But with the release of his excellent debut album Total, SebastiAn decided he was ready to talk, and The Block was lucky enough to score some time with the talented, engagingly personable artist (whose English is charmingly faltering).
The Block: Hi Sebastian. How are you?
SebastiAn: I’m good. Good. You?
TB: I’m great. Thanks for chatting. Congratulations on your debut record, Total, which was released this June. How do you feel?
S: I took my time to produce it, so now I’m starting to see what it’s going to be. I’m not exploding [with excitement], though. I just want to see what’s going to happen.
TB: I was doing some research on you, and it seems like you keep a pretty low profile. There aren’t many interviews with you out there. Why?
S: It’s not voluntary. I never wanted to say anything when I have nothing to say. For example, now I have an album out so I can talk about it. But before, if it’s just saying something to answer to some soft work [remixes], I was never into it. I can talk about the album right now, but talking about what I am thinking during producing was not very [right] to me before having something to really show. That’s all. I don’t talk when I have nothing to say.
TB: Did you have a lot people wanting to talk to you about your remixes, or any previous work?
S: Yeah. They wanted to, but most of the time I try not.
TB: Tell me a bit about the album. Has it been a long time in the making?
S: I took my time. The songs everywhere [sounded] the same to me, so I took my time to find a different direction. It also took me a while to finish the album because [French director] Romain Gavras, the guy who did [the music video for] M.I.A’s “Born Free,” he asked me to make the soundtrack to his movie Our Day Will Come. I was finishing my album at the same time. I thought the soundtrack would take one or two months, maximum. In fact, it took way more time, because it’s different to work with a lot of people on a movie. That’s why it took so long, because I was working on two or three things at the same time.
TB: In all, how long did it take to make the record then?
S: The album was almost finished in less than a year, but it took way more time because of all the other projects. I’m not a big calculator, so I can work sometimes without [worrying]. I didn’t have any plans. I was just working and working. And so some people may judge [me for taking so long].
(Continued)